Combined with the variable dot size, the final prints look very much like a continuous tone print. The new print heads have an improved screening algorithm that Epson calls AccuPhoto HDR Screening that improves dot placement to produce much smoother tones. Compared to the HP Z3200, it’s significantly faster, outputting a 16x20” print in the SuperFine mode (1440dpi) in just under 4 minutes, while the same print in SuperPhoto mode (2880dpi) takes about 7 minutes. The Canon imagePROGRAF iPF6200 still holds a slight edge in print speed, but the difference is minor. Moving up to SuperPhoto doubles the print times and uses significantly more ink, so I reserve this for times when the output quality is critical.Įpson claims the 7900 is twice as fast as the 7880 and in my testing, I found that speed difference to be pretty accurate. In general, I found that SuperFine is a good choice for general printing, while SuperPhoto is used for final exhibition-quality prints. There are three quality settings for output that are suitable for photo printing-Fine (720dpi), SuperFine (1440x720dpi), and SuperPhoto (2880x1440dpi). This option is not yet available to Windows users. If you’re on a Mac, you have the option to print in 16-bit mode. For exhibition-quality printing, I’ll choose SuperPhoto for increased resolution. For general printing, I find the SuperFine setting provides excellent results. You have several quality options in the print driver.
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